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One Hundred Aspects of the Moon: Mountain Moon After Rain - Tokimune

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One Hundred Aspects of the Moon: Mountain Moon After Rain - Tokimune
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Inaba Mountain Moon

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One Hundred Aspects of the Moon: Inaba Mountain Moon
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Mount Ashigara Moon - Yoshimitsu

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One Hundred Aspects of the Moon: Mount Ashigara Moon - Yoshimitsu
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Moon at Yamaki Mansion - Kagekado

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One Hundred Aspects of the Moon: Moon at Yamaki Mansion - Kagekado
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: The Cry of the Fox

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One Hundred Aspects of the Moon: The Cry of the Fox
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Moon over Chōfu Village

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One Hundred Aspects of the Moon: Moon over Chōfu Village
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: A Buddhist Monk Receives Cassia Seeds On A Moonlit Night

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One Hundred Aspects of the Moon: A Buddhist Monk Receives Cassia Seeds On A Moonlit Night
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: The Bottom of the Bucket/ Which Lady Chiyo Filled Has Fallen Out/ The Moon Has No Home in the Water

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One Hundred Aspects of the Moon: The Bottom of the Bucket/ Which Lady Chiyo Filled Has Fallen Out/ The Moon Has No Home in the Water
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: The Moon's Invention - Hōzō Temple

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One Hundred Aspects of the Moon: The Moon's Invention - Hōzō Temple
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Sumiyoshi Full Moon - Lord Teika

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One Hundred Aspects of the Moon: Sumiyoshi Full Moon - Lord Teika
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Does the Cuckoo Also/ Announce its Name from above the Clouds?/ Yorimasa Extemporizes/ I Only Bent my Bow/ And the Arrow Shot Itself

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One Hundred Aspects of the Moon: Does the Cuckoo Also/ Announce its Name from above the Clouds?/ Yorimasa Extemporizes/ I Only Bent my Bow/ And the Arrow Shot Itself
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Reading in Moonlight - Zilu

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One Hundred Aspects of the Moon: Reading in Moonlight - Zilu
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Moon of the Filial Son - Ono no Takamura

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One Hundred Aspects of the Moon: Moon of the Filial Son - Ono no Takamura
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Moon above the Sea at Daimotsu Bay - Benkei

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One Hundred Aspects of the Moon: Moon above the Sea at Daimotsu Bay - Benkei
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: The Moon through a Crumbling Window

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One Hundred Aspects of the Moon: The Moon through a Crumbling Window
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Print Index

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One Hundred Aspects of the Moon: Print Index
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Takakura Moon - Hasebe Nobutsura

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One Hundred Aspects of the Moon: Takakura Moon - Hasebe Nobutsura
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Moon of Enlightenment

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One Hundred Aspects of the Moon: Moon of Enlightenment
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Hazy-Night Moon - Kumasaka

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One Hundred Aspects of the Moon: Hazy-Night Moon - Kumasaka
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.

One Hundred Aspects of the Moon: Moon of the Southern Sea

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One Hundred Aspects of the Moon: Moon of the Southern Sea
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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