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One Hundred Aspects of the Moon: Dawn Moon and Tumbling Snow - Kobayashi Heihachirō

November 20, 2015, 6:42 am
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One Hundred Aspects of the Moon: Dawn Moon and Tumbling Snow - Kobayashi Heihachirō
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: The Moon over the Moor - Yasumasa

November 20, 2015, 6:42 am
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One Hundred Aspects of the Moon: The Moon over the Moor - Yasumasa
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: Inamura Promontory Moon at Daybreak

November 20, 2015, 6:42 am
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One Hundred Aspects of the Moon: Inamura Promontory Moon at Daybreak
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: An Iron Cauldron and the Moon at Night - Kobuna no Gengo and Shimaya Hanzō

November 20, 2015, 6:42 am
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One Hundred Aspects of the Moon: An Iron Cauldron and the Moon at Night - Kobuna no Gengo and Shimaya Hanzō
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: Cooling off at Shijō

November 20, 2015, 6:42 am
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One Hundred Aspects of the Moon: Cooling off at Shijō
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: Musashi Plain Moon

November 20, 2015, 6:42 am
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One Hundred Aspects of the Moon: Musashi Plain Moon
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: Moon of the Enemy's Lair - Little Prince Ousu

November 20, 2015, 6:42 am
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One Hundred Aspects of the Moon: Moon of the Enemy's Lair - Little Prince Ousu
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: Saga Moor Moon

November 20, 2015, 6:42 am
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One Hundred Aspects of the Moon: Saga Moor Moon
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: The Moon's Inner Vision - Te no Yubai

November 20, 2015, 6:42 am
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One Hundred Aspects of the Moon: The Moon's Inner Vision - Te no Yubai
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: The Moon And The Abandoned Old Woman

November 20, 2015, 6:42 am
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One Hundred Aspects of the Moon: The Moon And The Abandoned Old Woman
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: The Moon at High Tide

November 20, 2015, 6:42 am
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One Hundred Aspects of the Moon: The Moon at High Tide
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: Moon at Katada Bay - Saitō Kuranosuke

November 20, 2015, 6:43 am
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One Hundred Aspects of the Moon: Moon at Katada Bay - Saitō Kuranosuke
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: The Moon at Ogurusu in Yamashiro

November 20, 2015, 6:43 am
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One Hundred Aspects of the Moon: The Moon at Ogurusu in Yamashiro
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: Lady Gosechi

November 20, 2015, 6:43 am
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One Hundred Aspects of the Moon: Lady Gosechi
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: Monkey-Music Moon

November 20, 2015, 6:43 am
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One Hundred Aspects of the Moon: Monkey-Music Moon
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: How Noisy, the Sound of Insects Calling in the Meadow/ As for Me, I Make No Sound but Think of Love

November 20, 2015, 6:43 am
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One Hundred Aspects of the Moon: How Noisy, the Sound of Insects Calling in the Meadow/ As for Me, I Make No Sound but Think of Love
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: Chang'e Flies to the Moon

November 20, 2015, 6:43 am
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One Hundred Aspects of the Moon: Chang'e Flies to the Moon
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: In the Moonlight under the Trees a Beautiful Woman Comes

November 20, 2015, 6:43 am
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One Hundred Aspects of the Moon: In the Moonlight under the Trees a Beautiful Woman Comes
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: Like Reflections in the Rice-Paddies/ The Faces of Streetwalkers in the Darkness/ are Exposed by the Autumn Moonlight - Hitotose

November 20, 2015, 6:43 am
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One Hundred Aspects of the Moon: Like Reflections in the Rice-Paddies/ The Faces of Streetwalkers in the Darkness/ are Exposed by the Autumn Moonlight - Hitotose
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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One Hundred Aspects of the Moon: Gojō Bridge Moon

November 20, 2015, 6:43 am
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One Hundred Aspects of the Moon: Gojō Bridge Moon
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints from Tsuki hyakushi and two indexes that were created after the series was completed. It is believed to have been bound by its former owner. A preface that was written at the same time as the indexes were compiled is not included in the book. Scholars believe that the order of the pictures in the album does not follow the order in which they were published, but instead their order in the indexes, although there are some variations. Tsukioka Yoshitoshi was an ukiyo-e artist from the school of Utagawa Kuniyoshi (1797–1861), active from the Bakumatsu (final years of the Shogunate) into the Meiji Period. He created a wide range of works, including bijin-ga (pictures of beautiful women), fuzoku-ga (pictures of manners and customs), and pictures of historical and literary characters. Completed in the year that he died, this series is highly regarded as the masterpiece of his later years.
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