This watercolor sketch shows a decorative detail of the northeast mausoleum in the northern cluster of shrines at the Shah-i Zindah necropolis (Samarkand, Uzbekistan). The sketch was included in the archeological part of Turkestan Album, a six-volume survey produced in 1871-72, under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire's Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. Of particular note is Shah-i Zindah (Persian for “living king”), built on the elevated site of an ancient settlement known as Afrosiab and revered as a memorial to Kusam-ibn-Abbas, a cousin of the Prophet Muhammad. Although the patron of this mausoleum has not been conclusively identified, it was built in 1360-61, most likely for a maiden of noble birth. The collapse of the mausoleum dome, due probably to an earthquake, enables a clear view of the interior walls. This ceramic panel, located in the northeast corner bay, is part of a horizontal band interspersed with attached ceramic columns that support a mocárabe (“stalactite”) corner vault. These panels contain lotus figures set within floral patterns whose intricacy is simplified in this sketch.
This watercolor sketch shows a decorative detail of the northeast mausoleum in the northern cluster of shrines at the Shah-i Zindah necropolis (Samarkand, Uzbekistan). The sketch was included in the archeological part of Turkestan Album, a six-volume survey produced in 1871-72, under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire's Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. Of particular note is Shah-i Zindah (Persian for “living king”), built on the elevated site of an ancient settlement known as Afrosiab and revered as a memorial to Kusam-ibn-Abbas, a cousin of the Prophet Muhammad. Although the patron of this mausoleum has not been conclusively identified, it was built in 1360-61, most likely for a maiden of noble birth. The collapse of the mausoleum dome, due probably to an earthquake, enables a clear view of the interior walls. This ceramic panel, located in the northeast corner bay, is part of a horizontal band interspersed with attached ceramic columns that support a mocárabe (“stalactite”) corner vault. These panels contain lotus figures set within floral patterns whose intricacy is simplified in this sketch.