Hannibal Hamlin (1809‒91) of Maine served as vice president to President Abraham Lincoln in 1861‒65 and was the first U.S. vice president from the Republican Party. He served in the U.S. Senate as a Democrat from 1848 to 1857, but broke with his party over the issue of slavery. He was replaced by Andrew Johnson on the Republican ticket for the election of 1864, and thus did not become president when Lincoln was assassinated in April 1865. After the war, Hamlin returned to the Senate (1869‒81) and was U.S. minister to Spain. The image is from an album of mostly Civil War-era portraits by the famous American photographer Matthew Brady (circa 1823‒96) that belonged to Emperor Pedro II of Brazil (1825‒91), a collector of photography as well as a photographer himself. The album was a gift to the emperor from Edward Anthony (1818‒88), another early American photographer who, in partnership with his brother, owned a company that in the 1850s became the leading seller of photographic supplies in the United States. Dom Pedro may have acquired the album during a trip to the United States in 1876 when he, along with President Ulysses S. Grant, opened the Centennial Exposition in Philadelphia. Brady was born in upstate New York, the son of immigrants from Ireland. Best known for his photographs documenting the battles of the American Civil War, he began his career in 1844 when he opened a daguerreotype portrait studio at the corner of Broadway and Fulton Streets in New York City. Over the course of the next several decades, Brady produced portraits of leading American public figures, many of which were published as engravings in magazines and newspapers. In 1858 he opened a branch in Washington, DC. The album, which also contains a small number of non-photographic prints, is part of the Thereza Christina Maria Collection at the National Library of Brazil. The collection is composed of 21,742 photos assembled by Emperor Pedro II throughout his life and donated by him to the national library. The collection covers a wide variety of subjects. It documents the achievements of Brazil and Brazilians in the 19th century and also includes many photographs of Europe, Africa, and North America.