This photograph of the interior courtyard of the Shir Dar Madrasah in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. In the center of Samarkand is the Registan ensemble, composed of three major examples of a madrasah (religious school). The second madrasah in the ensemble, the Shir Dar, was built in 1619-36, during the Astrakhanid dynasty. Despite significant damage over the centuries, it remains one of the most lavishly ornamented monuments in Central Asia. The form of this madrasah is typical for the region, with a rectangular courtyard enclosed by a two-story arcade. This view of an arch niche in the middle of the east wall displays the complexity of the ceramic work, composed of polychrome majolica tiles in intricate geometric and botanical patterns. The panel with a pointed arch leads to a horizontal inscription band in the Thuluth cursive style. The panels are framed with raised decorative strips. At the top is a row of panels beneath the arch vault.
This photograph of the interior courtyard of the Shir Dar Madrasah in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. In the center of Samarkand is the Registan ensemble, composed of three major examples of a madrasah (religious school). The second madrasah in the ensemble, the Shir Dar, was built in 1619-36, during the Astrakhanid dynasty. Despite significant damage over the centuries, it remains one of the most lavishly ornamented monuments in Central Asia. The form of this madrasah is typical for the region, with a rectangular courtyard enclosed by a two-story arcade. This view of an arch niche in the middle of the east wall displays the complexity of the ceramic work, composed of polychrome majolica tiles in intricate geometric and botanical patterns. The panel with a pointed arch leads to a horizontal inscription band in the Thuluth cursive style. The panels are framed with raised decorative strips. At the top is a row of panels beneath the arch vault.