This missal, which dates to the late-12th or early 13th century, was made for the Benedictine abbey of Melk (or, possibly, Seitenstetten) in Lower Austria, as indicated by the inclusion of the patron saints of Melk, Peter and Paul, and Cholomannus (folio 212 recto). The surviving volume of a multi-volume missal, the manuscript contains only the ordinary of the mass and the "summer part," with the temporale running from Holy Saturday through the Sunday after Trinity Sunday and the sanctorale beginning with the feast of Primus and Felicianus (June 9) and ending with Saint Andrew (November 30). Most notable about the manuscript are its skilled pen drawings, including two full-page miniatures depicting Christ in Majesty and the Crucifixion, as well as 16 ornate initials, three of which are by the artist known as Gottschalk of Lambach.
This missal, which dates to the late-12th or early 13th century, was made for the Benedictine abbey of Melk (or, possibly, Seitenstetten) in Lower Austria, as indicated by the inclusion of the patron saints of Melk, Peter and Paul, and Cholomannus (folio 212 recto). The surviving volume of a multi-volume missal, the manuscript contains only the ordinary of the mass and the "summer part," with the temporale running from Holy Saturday through the Sunday after Trinity Sunday and the sanctorale beginning with the feast of Primus and Felicianus (June 9) and ending with Saint Andrew (November 30). Most notable about the manuscript are its skilled pen drawings, including two full-page miniatures depicting Christ in Majesty and the Crucifixion, as well as 16 ornate initials, three of which are by the artist known as Gottschalk of Lambach.